Camera Setting Comparisons:
Goal: Capture shallow depth of field while minimizing motion blur and accurately capturing the full range of color even when changing angles or positions in relation to the direction and/or intensity of the suns rays
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3 clips edited together in this video sequence
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Recording Water Droplets With a Focus on Frames Per Second Settings
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Fast shutter speed captures clear water droplets and ripples in the fountain, but changes in frame rate bring the drama. In the videos embedded below, compare the videos shot at 24 FPS; shot at 30 FPS, played back at 30 FPS; and shot at 60 FPS, played back at 30 FPS.
Shooting Conditions: Welcome to Houston! 97 degrees and 100% humidity During the shoot that lasted from 9:00 AM until noon on a sunny day, camera angle movement and focal length changes proved challenging depending on the sun's location in the sky. Using the Filmic manual focus assist and exposure mode was helpful in balancing details in the foreground, background and subject. However, Auto White Balance caused ISO shifts that resulted in some grainy footage. |
On the other hand, setting custom white balance brought out vibrant, more accurate colors... that is, until a pan or zoom introduced more or less light to the lens aperture, resulting in yellow-green tint shifts and unplanned (yet often super-cool) high contrast (blown out background) images.
I usually shoot on a full-frame Canon or a mirrorless micro four-thirds Lumix GH5. I look forward to getting more practice with the Filmic App on board. With the sun high in the sky, I found it next to impossible to see the iPhone screen, the image actually appearing in the viewfinder, and the controls for the App. Once the controls become second nature, and I work through some of the physical kinks, shooting professional level videos with my iPhone (or iPad) and an independent App should become more the norm.
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Recorded at 24 FPS
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Recorded at 30 FPS
Playback 30 FPS |
Recorded at 60 FPS
Playback 30 FPS |
- When editing in PremierePro, I unlinked the audio from the video so that I could use one constant uninterrupted sound-bed. Because I like to have this flexibility in post, I often shoot long continuous shots even if I am making adjustments while shooting, rather than quick stopping and starting.
- For the 60FPS/30 FPS audio track, when editing, I reduced the speed of the audio to better match the motion and impact of the water droplets.
- As you'll see in the flower scenes as well as the water sequences, I like to keep or intentionally shoot video that randomly blurs, shifts focus or has extreme color or light shifts to use as transitions when editing.